unterART

Is there a way to fuse the confusion and technological distortion of the new Millennium and the melancholy romanticism that shaped the sound of the Eighties? UnterArt face this central question of their artistic endeavors with a dark and apocalyptic approach. The basic principle that shapes the group´s work is the combination of the very different pref-erences that its members adhere to. Thomas Stein is responsible for the flowing, melodic lines, while Grigory Feil, very much influenced by the impressions of urban life in Hamburg, adds the rhythmic- and the noise-elements. UnterArt stand for large scale productions and the excessive use of the newest technology for sound-manipulation and -creation. Minimalism is their declared enemy. Only through the merging of the different tracks into a classic song structure can their songs develop their characteristic depth and emotional level … a ba