The Craig Fermanis/ Carl Mackey Quartet

Saturday September 05 The Craig Fermanis/ Carl Mackey Quartet Craig Fermanis is one of Melbourne’s most in-demand jazz guitarists. He has shared the stage with a diverse range of artists including Ricki Lee Jones, Mavis Staples, Mary Wilson (The Supremes), Tim Ries & Bernard Fowler (The Rolling Stones), Vince Jones, Joss Stone, Archie Roach, James Morrison, Paul Grabowsky, Michelle Nicole, Mat Jodrell, Julien Wilson, Jamie Oehlers, Kate Ceberano, Christine Anu, and The Melbourne Symphony Orchestra, to name just a few. Craig has studied in Melbourne with jazz guitar master Doug De Vries, and in New York with jazz legends Jim Hall and John Abercrombie. He has toured Europe 15 times and recorded on over 90 CDs and records. His debut album Machines was rated 9/10 and ranked as the third best Australian jazz release of 2002 by All About Jazz . A Cadence magazine review of Machines states “Fermanis is as strong a modern guitarist as any of the Scofields or Abercrombies.” Over his 30-year career Craig has performed more than 7,000 gigs at concert halls, festivals, clubs and bars. He was a finalist in both the Wangaratta National Jazz Awards and the James Morrison Jazz Scholarship. “One of the most gifted young guitarists I have had the pleasure to teach.” Jim Hall Melbourne based saxophonist, Carl Mackey has been a stalwart on the Australian jazz landscape for more than three decades. Renowned for his versatile and emotionally charged playing style, he has shared the stage with a diverse array of artists, including Lionel Hampton, Kurt Elling, Sammy Figueroa, Ben Wendel, James Morrison, Kate Ceberano, Boy and Bear, Blur, Noel Gallagher, and the Melbourne Symphony Orchestra. He has supported international stars such as James Brown, Harry Connick Jnr, The Yellowjackets, Ray Charles and Dianne Reeves. Co-leader of award-winning group Speedball, he is a member of the Sam Anning Sextet, Australian National Jazz Orchestra, lead alto in the Vanessa Perica Orchestra and can be heard in groups as diverse as Andrea Keller’s Composer’s Circle through to latin orchestra, La Influencia. A two time James Morrison Scholarship finalist, and a Freedman Fellowship finalist in 2006, Mack